4 : Hold That Machete Tight!

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The student council`s budget committee looms on the horizon as the eizouken`s project is still far from finished. As Mizusaki struggles with effects shots, Kanamori reminds her of the grim reality of the approaching deadline. While Asakusa manages to extend their run-time with creative use of existing art, the club is forced to make hard decisions about what parts of their creative vision to sacrifice and which parts to preserve. But even then, will they have something that resembles a complete product in time?

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Synopsis

Midori Asakusa sees the world a bit differently. Always having her nose in a sketchbook, Asakusa draws detailed landscapes and backgrounds of both the world around her and the one within her boundless imagination. Even the simple act of doodling on a wall evolves into an emergency repair on the outer hull of her spaceship. She is only brought back to reality by her best friend Sayaka Kanamori. The pair are stark opposites, with Asakusa's childlike wonder contrasted by Kanamori's calculated approach to life. After a chance encounter where the two "save" the young model Tsubame Misuzaki from her overprotective bodyguard, a connection instantly sparks between Asakusa and Misuzaki, as both share an intense passion for art and animation. Whereas Asakusa is interested in backgrounds and settings, Misuzaki loves drawing the human form. Sensing a money-making opportunity, Kanamori suggests that they start an animation club, which they disguise as a motion picture club since the school already has an anime club. Thus begins the trio's journey of producing animation that will awe the world. From the brilliant mind of Masaaki Yuasa, Eizouken ni wa Te wo Dasu na! is a love letter to animation, wildly creative in its approach, and a testament to the potential of the medium. [Written by MAL Rewrite]

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